MUSIC
Radiohead Reigns Supreme At Chicago's Lollapalooza
By Anna Apocalypse
THERE WAS LOTS OF HYPE TO LURE ME TO LOLLAPALOOZA THIS YEAR.
Was Barack Obama really going
to introduce Wilco? (No.) Would Rage Against The Machine incite a riot in the sweltering Grant Park? (Almost.) But only one band inspired me to fork over my money to Perry Farrell and his corporate sponsors: Radiohead.
The British art-rockers -- a decade past their commercial prime -- was the main draw on the first day of Lollapalooza, capturing Friday night's headline spot.
Of course, there were other acts playing that day as well. I had planned on arriving around 5 p.m. to catch some of Cat Power's set, but a slow ride on Chicago's Blue Line and only one entrance into the festival stole that chance. Once in, I opted to catch Grizzly Bear, which proved good judgment. In addition to crowd favorites like “On A Neck, On A Spit,” and “Knife,” the band cranked out four new songs (including “Two Weeks,” performed on David Letterman a few weeks ago) that sounded fantastic. I can't wait for their new record, which is going to blow minds.
I followed up Grizzly Bear with Bloc Party, in part to secure my spot when Radiohead emerged afterward. Clad in an ObamaT, bright red shorts, and vintage Nikes, frontman Kele Okereke stirred up the massive crowd with standbys like “This Modern Love,” “Like Eating Glass,” and “Positive Tension,” as well as newer songs from 2007's A Weekend In The City, including “Song For Clay (Disappear Here)” and “The Prayer.” They were good, but it was clear that everyone was biding time for Radiohead.
Then, at precisely 8 p.m., the two jumbotrons mounted on each side of the stage flickered with rainbow-colored lights, blips and bleeps echoed out of the speakers, and five rockers dubbed Radiohead dashed onstage to thunderous applause.
Opening with “15 Step,” the first track from 2007's pay-what-you-want album, In Rainbows, Thom Yorke's stunning falsetto cut through the evening's steamy air. Next, the familiar distorted intro to “Airbag” rang through the park, followed by “There There,” and a handful of tracks from In Rainbows. The playlist ranged their entire discography, save for Pablo Honey, that is. Perhaps the best moment of their entire set came during “Everything In Its Right Place,” when fireworks erupted from nearby Soldier Field that synced up perfectly with the guitar distortion in “Fake Plastic Trees.” It was, no joke, a great climax to a satisfying romp.
Lollapalooza wrapped up Sunday night in Chicago. You can check out more coverage of the festival here.
Anna Apocalypse, who blogs at Pop Apocalypse, will comment periodically at CrabbyGolightly on music.