THAT'S NEW YORK

No You Can't Take Me Away From Me: A Real Housewives Of New York Recap
By Trisha B.
SINCE THE PARTY NEVER STOPS IN THE BIG APPLE, Sonja decides to throw a burlesque jam. Hope she does it up right or Jill will have a field day.
She goes costume shopping with Ramona and her daughter, Avery. Sonja asks Avery if she wants to come to the party. Avery looks like she asked her to strip right here and now. She pretty much says, 'With all you old people in nipple baring bustiers? No thank you.' She thinks these clothes are only fit for Halloween. I love that.
And Sonja's giving a performance of sorts.
When the clerk shows Ramona a very, very short black, spangly skirt, Avery is horrified and tells him her mom is not 20 years old and can't wear THAT. But it goes so well with the cane and pasties they look at next. Hee. One of the sales people is obviously transgendered and Ramona says he looks like Sonja. To which Sonja agrees and compares their makeup. Then, ching ching let that cash register ring. As they try on clothes they talk about Simon and his tweeting, which seems to be the hot topic lately.
Jill's gathering munchies to eat on her train trip to visit daughter, Alison, who's studying in Bronxville. So she's either at Concordia College or Sarah Lawrence. Since Jill didn't mention the name of the school, I'm guessing Concordia. Jill has her little dog with her. Inane chatter ensues about vegetarianism and classes. Jill is surprised when Allie tells her that one of her classes is "Sex is not a natural act." Allie finds the sexual theories interesting and wants to maybe be a sex columnist, maybe. Jill's not having that although she smiles when she tells Allie she just wants her to be happy. They go shopping; what else is mom for but the credit card. Jill's critical from the git-go, a typical mother-daughter shopping trip in my opinion. So familiar. She makes sure to save 10% by asking if the store has a student discount. She's nothing if not parsimonious.
Lots of mother-daughter bonding this week. LuAnn gives daughter Victoria a driving lesson in the Housewife car of preference, the Range Rover. Meanwhile Ramona meets Avery at a restaurant. When Ramona says she needs to make a couple of calls, Avery whines that she'll just sit there then. Ramona gets the message and decides the calls can wait. Ramona tells us she's just a hormonal teenager. But then Avery continues in the same vein, complaining that she feels like she lives in the apartment by herself, never knowing when her parents will be home. Ramona's not having it, she tells us that even though Avery won't say a word to them, she still wants them home. Right, Ramona, it's called paying attention to your kid sometime. Life's too short, girlie, she'll be gone in a minute.
Then Avery surprises and delights her mom by reading her a paper she wrote for school. It's all mushy about how Ramona is her role model and how much she loves her. Only problem, she mentions Ramona's age -- 54. Ha. Ramona is as touched as any mother would be.
OOOOO, it's Chris March again. I can't get enough of him. Sonja asks him to "March" her, baby. It seems he's really going to make adjustments to a white swan-like outfit she's already bought. When she wonders why the front of her skirt is so sheer Chris tells her that it's on backwards. Then she starts to float across the small room from one side to the other, arms fluttering like a ballerina, saying, "Catch me if you can, catch me if you can." Chris looks quizzical. When she shows him how she tried on her bustier, backwards as well, and wondered why her boobs were hanging out, he choked. She tells him she needs his help since her nipples go east and west. O.....K.
Ramona arrives with the Pinot. What's weird here, well at least to me, is that Sonja pours a glass, hands the bottle and glass to her assistant and asks her to give it to Ramona -- who is one foot away. But after she passes it to the assistant, she then walked right past Ramona. These people are all just one or two feet from each other. But it was up to the assistant to serve. Makes me wonder, Sonja.
Sonja then runs the lyrics to her performance by Ramona. Here's a sample:
Those who doubt are out
Beauty comes from inside
So don't try to hitch a free ride
Money can't buy you class
But you don't need class when you have this...a --(She's doing the finger lick-touch-your-ass-psssst! movement, instead of saying the word ass.)
You know those jealous bitches
They're always snitches.
When asked her opinion of the lyrics Ramona calls the piece witty and fun. Very diplomatic, Ramona. You know they're wack.
Kelly and LuAann are having drinks and a mutual admiration society meeting. Luann considers herself Kelly's love doctor, hoping she'll find the Jacques of her dreams. They debate finding love by looking versus not looking for it. Kelly says she was home being a wife while Luann was globetrotting around the world. She asks Luann how she handled being a Countess and Luann humbly declares that although she's not to the manor born, she always felt she fit in. Of course, daahhhlling. They trade cocktails and continue.
Kelly asks about any trying times LuAnn may have had being a Countess. So instead of being real, for once, LuAnn namedrops all over the place. She tells her about attending a christening for the grandson of The King of Greece, for whom Prince William was godfather. Blah, blah, blah. She held out hand, he shook it and said hello. Oh, how trying. It's nice to have housewives that are real friends. Right.
Sonja has her swan hat on and is getting dressed along with her male assistant du jour and some crazy looking blonde dame with a weird voice dressed as a French maid.
LuAnn is meeting with her mohawked producer who never takes off his sunglasses 'cause he's cool like that. And looky here, Jill's been invited to listen. To listen. But Jill says she's there for her opinion because she made LuAnn's first song a hit. Whaaaa the? Oh, God.
Here's the song. Jebus help us. Jill chimes in with some nonsense advice. LuAnn tells us that Chris, the producer, doesn't really care what Jill says. LuAnn asks Jill to join in the music video. You can see Jill is thrilled but doesn't want to show it, then she starts throwing Jacob the Jeweler's name around.
Partiers arrive at Sonja's party dressed for the Moulin Rouge. Jill complains about dressing in costume, again, and then muses, again, about Sonja's financial problems. If she's not worried why are you, girlfriend? Worry about that room you never finished painting. The weird voice lady is laughing with Ramona who lies and says that she loves her laugh.
Everyone looks fabulous, all kissy, kissy. Bobby's in a suit, not into the pretend. Simon kisses Alex before he goes off to chat with Jill, who immediately walks away as soon as he shows up between her and Kelly. Bobby has something to say, and that is: Jill is his issue. Simon tells them he comes from a place of good. They all decide to sit down and Jill tells us that Simon and Alex had done a lot to her but for the sake of the group (and the paycheck), she'll give them another chance. Bobby wants to know how they end this while Jill is accusing Simon of being friends with her haters. And she does have her haters -- June 30th was National Unfollow Jill on Twitter Day -- but she wants no negativity in her life unless she causes it and doesn't like folks kissing on her then tweeting bad things behind her back. Simon apologizes so i guess he is a cyberbully. He asks Jill not to kick him in the balls and they both vow to end this. With Jill the bigger and better person, natch. She tells us that the fact that she's talking to them at all is a sign of her character. Ha.
Ok, let's go. Sonja gets on the stage to thank her loyal patrons for following wherever she goes. They're money she tells us and this is not a backyard party. She tells us that she's invited royalty and Europeans and European royalty and that they take costumes seriously, And she's taking it seriously as well. Then she introduces a real burlesque dancer -- a sassy, brassy redhead in a green satin dress who unrobes down to her pasties, which shocks the shit outta Ramona of all people.
Sonja takes the stage to do her routine. She looks, I'll use Kelly's favorite word here, AMAZING. The funny voiced French maid is part of it. Jill says her daughter would kill her. Ha. When she spouts the jealous bitches, snitches line, Jill asks us if she's talking about them and I laugh and laugh. Sonja shimmies around and generally makes a spectacle of herself, but they love it. She finishes with "You can take my money, you can take my man, but you can never take away WHO I AM."
Bravo, calls of encore and kisses all around. Jill thinks the performance was cathartic for Sonja and everyone tells her how hot she is.That's gotta make a girl feel good.